The peoples of Long is the Night are, on the surface, simply the peoples of late-eighteenth-century Europe β but every nation, faith, and bloodline has its hidden current.
Inhabitants of the heartland kingdom of Valluvia β courtly, devout, obsessed with lineage and propriety. Powdered wigs, gilded chapels, and dueling at dawn.
A mountainous principality of pine forests and snow-locked villages. Folk-Catholic, deeply superstitious, and the part of the world where vampires are not a metaphor.
A loose confederation of merchant cities. Wealthy, skeptical, and full of printers, salons, and Enlightenment philosophes who dismiss what walks at night.
The dominant faith β vast, political, fractured. Its relics genuinely repel the dark, but its leadership is more interested in power than in salvation.
Village-level folk practitioners β wise women, hedge witches, charm-makers. The Church tolerates them only because the peasantry would riot if it didn't.
A secret society of Enlightenment thinkers who believe the supernatural is a problem to be solved. Their methods are not always more humane than the things they hunt.